Whilst abstract images may be out of fashion, they have significance representing a similar approach to machine drawings. The idea that all meaning  is contained within four sides of the image still has some value; certainly something which photography does well and lent support by the work of Siskind, Callaghan and Paul Strand. In the Bauhaus and Constructivist tradition I remain an unrepentant formalist as will be apparent from most of the images shown.